Standardarchitecture, Beijing
01 January 2009
 

Qingcheng Mountain Stone Courtyard, Chengdu
Architect:standardarchitecture

Location: Qingcheng Mountain, Daguan Town, Chengdu, Sichuan
Design / Construction: 2005 / 2007
Area: 480㎡
Architects: Zhang Ke, Zhang Hong, Wang Andong, Liu Yabo, Wang Tong, Hao Zengrui, Carla Maria Freitas Gon?alves, Liu Xinjie, Yang Xinrong, Zhang Zhengfan
Client: Sichuan jinlian Corporation
Photographer: Chen Su

The “Stone Courtyard” Tea House is located close to Daguan Town at the foot of the Qingcheng Mountain near Chengdu. With total area of 500 square meters, the tea house is actually comprised of five separate courtyard buildings stand very close to each other. The first building is an empty front courtyard; the last building functions as living courtyards; and the other three buildings function as tea courtyards. 

Local craftsmen were involved in the design and construction of the wooden roof structure. Looking from interior the wooden roof would have been completely traditional if the columns near the patio were not carefully removed. 

The stone wall is built exclusively of a type of local slate, which will be cover by green moose in a few years after exposed in the rainy and humid weather of Chengdu.


Wuhan CRland French-Chinese Art Centre
Architect:standardarchitecture

Location: Wuchang
Design / Construction: 2004 / 2005
Area: 1500 m2
Architects: Zhang Ke, Zhang Hong, Hao Zengrui, Han Xiaowei, Yang Xinrong, Liu Xingjie, Jin Jie, Lin Lei,Han Liping
Client: China Resources Land Linited Company
Photographers: Chen Su

The site of the art centre is located across the street from the Wuchang Tanhualin historic area, about one mile away from the historic Huanghelou tower on the Yangtzi River. The expectation of the building was an important public space for the city and a monument for both the past and the ongoing transformation of the city. The fact that many famous Chinese intellectuals lived in the Tanhualin area across the street inspired us. We were interested in testing the possibilities of building something out of the ancient Chinese intellectual practice of ink and water. The art centre was conceived as an urban container, within which art objects, events, acts, concepts and activities flourish. In this case the container is made out of intuitive images of ink-and-water. 

While the site conditions also take part in the formation of spaces: since the site is cut into a half by an unexpected urban infrastructure (a flood pipeline), the 30-meter-wide outdoor space became the central courtyard for spatial organization, around it seat the east and west exhibition hall and the floating bridge linking the two parts. In the 80-meter-long concrete bridge, the ink-water stroke texture coincides with the necessary structural elements for the 5.5-meter-high concrete hollow beam. This becomes an interesting moment when an image merges seamlessly with a structure.。

The Yangshuo Storefronts, Guilin
Architect:standardarchitecture

Location: Yangshuo, Guilin
Design / Construction: 2003 / 2005
Area: 7000㎡
Architects: Zhang Ke, Zhang Hong, Claudia Taborda, Qi Honghai, Wang Wenxiang, Liang Hua, Han Xiaowei, Qin Ying, Hao Zengrui, Liu Xingjie, Yangying, Du Xiaoming, Gai Xudong
Client: Sunshine 100
Photographer: Chen Su

The small neighborhood is built on a block of 2300 sqm and is comprised of five small alleys and six separate buildings. The buildings occupy the entire boundary of the site, and the main alleys inside work as continuations of the neighboring urban fabric. We adopted a native way to have the main alleys point toward the major mountains nearby, namely the Lotus and the Dragon Head Mountain. As a result of this layout, all the six buildings become irregular in their plans. On the ground floor there are small shops and the shop owners live on the second floor. There are corridors linking all the buildings on the 3rd and 4th floor. Units of these floors each have a bathroom and a kitchen. They could function either as apartments or as shops. Passing through the bridges linking each building, people will always find special views toward the surrounding Karst Mountains.

The neighborhood is built mainly with four local materials: the blue-greenish Yangshuo stone, Larch wood panels, small grey tiles and bamboo stripes. The “city control regulation” asks for all the buildings to be painted white. We found the regulation is a total mistake. The local villages never have large area of white-washed walls. The villages were all built with exposed local stone and grey bricks. 

Seen from a distance, the storefronts have nothing startling. While coming closer, most people will be surprised by the appearance of the central building. Bamboo stripes of 6-meter-long and 6-centimeter-wide are placed at 8 centimeter distance from each other, with right angle to the building facade. Behind the bamboo layer, there is a layer of folding wood panels. When the wood panels are opened, people could have a sense that there is only a curtain of bamboo stripes between them and the Karst Mountains. 


Wuyi Elementary School Aduitorium, Beijing
Architect:standardarchitecture

Location: Tongzhou, Beijing
Design / Construction: 2002 / 2004
Area: 2000㎡
Architects: Zhang Ke, Zhang Hong, Bu Xiaojun,Li Changle
Client: Wuyi Elementary School, Beijing
Photographer: Chen Su

The new auditorium has a seating capacity of 520 and is for the use of both the school and the residents of the adjacent neighborhood. The hall is used for stage performances, films and school events. The auditorium is separated from the school by a square yard. The school is an unobtrusive four-storey block, to which the expressive form of the auditorium forms a strong contrast. Its characteristic folded red roof makes it a striking feature of the neighborhood. 

The rear wall and the fa?ade form part of the roof, which is supported on both sides by a row of columns. The resulting galleries have walls of red brick in which the wheelchair ramps and the stairs have been integrated. The first floor on the West side of the building is recessed. The foyer beneath the overhanging roof receives daylight from both sides through its glass wall. 

The entrance pierces the vertical wall which rises from the ground as a continuation of the folded roof profile and marks the entrance like a massive sign; the roof is an ironical allusion to the debate that has been going on for decades about the integration of tradition in modern Chinese architecture.
成都青城山石头院
主创建筑师:标准营造

项目概况
项目地点:成都青城山大观镇,四川
设计 / 建造时间:2005 / 2007
建筑面积:480㎡
建筑师:张轲、张弘、王安东、刘亚波、王彤、郝增瑞、Carla Maria Freitas Gon?alves、刘新杰、杨欣荣、张正帆
业主:四川金联实业《新丽江》
摄影师:陈溯

“石头院”位于青城山下的大观镇附近,面积不到500m2,由几组院落组成,分为一个“空院”、三个“茶院”、和一个“居院”。几个院的前面有一个小水面,远处朝向青城山,建筑的西面是一座石桥和一个石头牌坊,南面是一条小街和几座别墅。虽然“石头院”实际上是个既可供人喝茶下棋、谈天论地,也可供人闲居、自我修行的地方,对我来说“石头院”更是一个清净内心的冥想空间。

“石头院”从外面看上去象一个较为完整的房子,事实上这是几个窄长院落很近地排在一起,每个院落都略微转折了一下,之间是很窄的胡同,由于每个院子的转折角度不一样,石头墙夹缝形成的窄巷空间也就各不相同,每条细长的巷子都把人们引向池塘边和山的方向,一天的不同时刻,每条窄巷里总会给人不同的光影感受。

人们进入的第一个院是“空院”,“空院”没有屋顶,只有墙。在“空院”的尽头人们会找到一个很小的入口,从这里进入后面的院子,进门后人们才意外地发现一个由窄变宽的空间把几个院落串在了一起,自然走进去就是“茶院”和“居院”了。各个“茶院”和“居院”都有两、三个大小不等的天井,天井是由连续折叠内坡的屋顶形成的,一部分天井是有玻璃的,而有些天井则是完全开敞的。每一个开敞天井下面都有一个石头的接水槽,下雨的时候雨水会沿着天井的檐口落入室内再流到接水槽里,所以几个“茶院”都没有明确的室内和室外之分。

“石头院”的建造程序是再简单不过了,先是砌墙,砌完墙再盖上木结构的屋顶就成了。我们给自己最大的挑战是使天井周边没有木柱子,为此我们的“刘师傅”在模型上推敲了多种结构方法,在建造现场我们请来了精通当地传统木结构的老工匠“梁师傅”负责屋顶构造,最终实现了这些“完全没有柱子的空间”。

砌墙的石头是本地最常见的“青石”,实际就是来自青城山附近采石场的一种青灰色砂岩,这些石头在当地湿润多雨的气候下会慢慢长出浅浅的青苔来,大概到那时候,这几个院子才会更接近我们想象中的“石头院”吧


武汉华润中法艺术中心
主创建筑师:标准营造

项目概况
项目地点:武昌
设计 / 建造时间:2004 / 2005
建筑面积:1500 m2
建筑师:张轲、张弘、郝增瑞、韩晓伟、杨欣荣、刘新杰、李琳娜、经杰、林磊、韩立平
业主:华润置业有限公司
摄影师:陈溯

艺术馆基址隔街紧邻武昌最重要的历史文化街区—昙花林,距离著名的黄鹤楼不到两公里。设计之初,人们期望艺术馆既能够为城市提供一个重要的公共活动场所,又能够成为正在进行的城市变迁和城市历史的纪念碑。

中国近代历史上许多文化名人(包括郭沫若等)都曾经在基地紧邻的昙花林居住过,这给以我们最初的一些冲动,我们好奇地想试验一下利用中国传统文人的水墨游戏进行建造的可能性。

空间布局同时也受到基地条件的影响:由于一条市政排洪沟从中央穿越了基地,从而产生了30宽的中心院落,围绕院落的空间组织形成了东部和西部分立的展厅以及飘在水面之上联系两个展厅的廊桥。80多米长的廊桥将水墨笔触的肌理与5.5米高、2.5米宽混凝土空心梁的内外孔洞符合起来,建筑在此归结为毫无修饰的结构之美。


桂林阳朔小街坊
主创建筑师:标准营造

项目概况
项目地点:桂林阳朔
设计 / 建造时间:2003 / 2005
建筑面积:7000㎡
建筑师:张轲、张弘、Claudia Taborda、齐洪海、王文祥、梁华、韩晓伟、秦颖、郝增瑞、刘新杰、杨颖、杜霄敏、盖旭东
业主:阳光 100
摄影师:陈溯

这个占地仅2300平方米的小街坊由五条街道和六栋相对独立的建筑组成,建筑占满了用地的边界,主要内部街道的走向考虑到城市肌理的延续性,并遵照当地的习惯朝向周边的主要山峰:碧莲峰和龙头峰,因此几栋楼几乎都是不规则的形状。街坊的一层由很多个独立的小店面组成,店铺的主人们就住在自己店面的楼上。小街坊的三层、四层由半室外走廊串成空中的街道,其中每个单元都设有独立的厨房和卫生间,既可居住也可以用作店面,人们在穿过空中平台时总能看见小街所对着的喀斯特山峰。

建造小街坊的四种主要材料都产自当地:青灰色阳朔石、毛竹片、杉木板和小青瓦。阳朔的控制性规划要求所有的房子都刷成白粉墙,我们发现这个规定是个明显的错误,桂北的民居村落极少是白粉墙的,大多是由本地的石材和灰砖砌筑而成的,我们最后还是坚持用阳朔石砌筑建筑的墙体。小街坊从远处看去并不显眼,走近以后人们会被街坊中心的建筑所吸引,采自漓江边的毛竹被劈开成6m长、60mm宽的竹片,每个竹片间隔80mm垂直于墙面卡在专门为此设计的角钢挂件上,竹片幕的背后是一道木质折叠门,当折叠门完全打开的时候,室内喝茶的人们与喀斯特山峰之间就只有一层竹片之隔了。


北京武夷小学礼堂
主创建筑师:标准营造

项目概况
项目地点:通州,北京
设计 / 建造时间:2002 / 2004
建筑面积:2000㎡
建筑师:张轲、张弘、卜骁俊、李长乐
业主:北京武夷小学
摄影师:陈溯

武夷小学的新礼堂有520座的容量,可供学校及临近居住社区的使用。新礼堂可以举行舞台演出、放电影和学校的其他集体活动。礼堂与学校的教学主楼之间被一个矩形的广场分开,使礼堂特立独行的形象与不够突出的四层教学楼形成了强烈的对比。红色折板屋面彻底改变了学校的环境特征。

礼堂的后墙及正立面与屋面连成了一体(或者说是屋面的一部分),东西两侧各有一排立柱支撑,与贴着红色面砖的侧墙形成了廊下空间,结合柱廊设计了残疾人坡道和台阶。建筑在西侧二层退进形成了凹龛,阳光可以透过玻璃外墙从东西两侧照射到带吊顶的入口大厅里。

入口穿透由屋顶从正面翻折入地后又斜向升起的竖直墙体,这一姿态使入口成为了建筑物的有力标识。礼堂的连续屋面被认为是对在现代建筑中结合中国传统形式的一种调侃。
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